In the early 90's, the effervescent musical scene of Bahia generated a new phenomenon: Timbalada - a huge group of percussionist with tribal paintings on their bodies and a female singer that performed topless. they all played timbaus, a tall drum that hangs from the shoulder of the percussionist and is held between the legs. A product of the brilliant imagination of singer, songwriter and virtuoso percussionist Carlinhos Brown, Timbalada does justice to Bahia's rhythmic tradition and, at the same time, introduces modernity and boldness to it.
Download Timbalada Mp3 AlbumsThey are a highly popular group that regularly plays sold-out shows throughout Brazil. The group is mostly known for its active participation to the carnival each year in the streets of Salvador de Bahia. It also engages in social activism by working with needy children, providing education and drum courses to help them in social integration. Musically, Timbalada is credited with two major innovations in the instrumentation of Afro-Brazilian music: the revival of the timbal (a tall, high-pitched hand drum), and the development of a rack of 3 surdos (bass drums) that can be played by a single player. The timbal, which had been nearly extinct before Timbalada began featuring it, has since become widespread in many Afro-Brazilian genres, including axé and samba-reggae. The rack of surdos, also called a bateria-de-surdo (surdo drumset) is now widely used by many groups for stage performances when not parading. Because the bateria-de-surdo can only hold 3 surdos within arm's reach of a single player, the traditional 4-surdo arrangements of many samba-reggae rhythms is often trimmed down to a 3-surdo arrangement User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL. . . .
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